Photo shoots are a funny thing. Sometimes when you have a very controlled environment and a well defined goal, the images you get at the end are just what you envisioned. Other times, you just wing it and hopefully your ego doesn’t take too bad of a hit when the editor sees the images. This shoot for Occasions Magazine was closer to defined than winging it. Danny Wilson from The Savage Garden, Heather Vreeland and I met beforehand and discussed a few ideas and mapped out the day. Since the brunt of the work fell on Danny to provide all the florals, he needed a strong idea of how to prepare. And prepare he did!
But let me back up a little bit. When I think of the beautiful, historic Swan House, this is what I see in my head:
I think of the rich history and all the stories this building could tell if it could talk.
Remember what I said above about photo shoots? The image above and the next two didn’t even make the first round of cuts. Yet, fast forward a couple months and there it sits… a big, beautiful two-page spread to open up the fashion feature. This is quite easily my favorite image from the entire shoot.
And now I’m going show you something to make your jaw drop. I say that in complete humility because it really has nothing to do with me, but everything to do with our stunning model Madison Olson and the fabulous makeup by Raney O’Keefe. This image is basically straight out of the camera. No photoshop actions. No retouching. No fixing. No nothing.
I took the image out of the camera in RAW format, adjusted my color and exposure in Lightroom, and exported it. In fact, I didn’t retouch Madison in a single image in the entire magazine feature. Just amazing.
Remember what I said above about photo shoots? We had a little bit of free time (by “free time” I mean that we had 7 minutes and 35 seconds) and I said “Madison, let’s play.” So I grabbed Heather Vreeland’s new 50mm f/1.4 lens because I was really curious how the lens would perform and I wanted to play with it. In fact, a number of the images in the magazine were shot with that little 50mm lens she carries around with her in the camera bag she got from Target. So Madison and I ran around in the grass and came up with Heather’s favorite series of images from the shoot. This is just two of them…
Have you been paying attention to the beautiful floral headpieces Danny created for us?
Yes, she is IN the fountain. By this time, it was pretty much dark and we had to get creative with the lighting sources.
Here’s Danny with one of the props he brought along for the shoot — ya know, just in case — and Raney doing a little touch up work.
One more behind the scene’s shot, complete with my assistant hard at work in the background. He was probably tweeting about how hard I was working him.
