Tag Archives: Catholic

Lisa & Phillip in Atlanta

May 24, 2008

Ceremony: Cathedral of Christ the King
Reception: Maggiano’s Little Italy

*** CLICK HERE *** to view the slideshow

Lisa and I have known each other for a few years through my work with the Archdiocese of Atlanta so I was more than happy when she asked me to cover her wedding a few weeks ago.

When she told me that she and Phillip were getting married at the Cathedral in Atlanta I smiled because I thought about something that I have to take a moment to point out. I realized not too long ago that every single time that I’ve shot a wedding at the Cathedral it has rained. Nothing catastrophic… just your average rain. And on this day mother nature didn’t disappoint but luckily, it didn’t affect Lisa’s day or the schedule in any way. So you’re warned: if you’re getting married at the Cathedral and I’m shooting… it’s going to rain.

Now, this is probably the quintessential “wedding” shot: Coming Down the Isle. There are a lot of photographers out there who are probably going to cringe, but it’s quickly becoming one of my favorites shots to capture. Especially at a Catholic ceremony when they have the full Mass (the Mass + ceremony is usually 1hr+) all the excitement of the day and the emotion that they’ve kept inside finally gets to come out… and you see it right there on their faces!

Favorite moment: we were shooting outside when Fr John arrived on the scene, and with nary a word the first thing he did was give Lisa a blessing, and she was in tears within moments.

Favorite surprise: as I was following Lisa out the side doors right before the Mass was to begin, the door opens in front of her and it’s her dad. Look at the smile on his face!

Favorite shot that’s not mine: Huy Cat was shooting with me again and we think so much alike. We both took this same shot but his was better…

Favorite Cathedral location: If you walk ALL the way around the church and come in the side doors by the sacristy and adoration chapel, this is the view you get.

Favorite shot they’ll love: the consecration being the high point of the Mass, I know this shot will mean the world to Lisa and Phillip. I’m going to blow this one up and send it to Fr. John because he’s asked for images in the past, and I know he’ll love this one.

Favorite little moment: no words, no posing, no prompting, just a little moment in time.

Favorite find: Totally posed, totally prompted. So shoot me. I’ve always loved the light streaming through these windows but I’ve never shot a bride or groom there. I think I like it.

Favorite image: just because. A lot of times there are these images that you see coming a mile away and you just do your best to be there in the right spot at the right time to capture it. This was one of those images, except the mile was more like 1.5 seconds. This is a completely pedestrian moment when we were done shooting outside and Lisa was heading inside to prepare for the ceremony. I decided to follow her and as I saw her begin to transition from the beautiful wash of outdoor light into the recess of the Cathedral I pushed the camera down to knee level, aimed, blind focused and… got the image I saw in my head a moment or two ealier.

Congratulations Lisa and Phillip!

Ben Vigil, CTK Rain Man.

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Vicky & Jason

May 9, 2008

Date: April 5, 2008
Rehearsal Dinner: Bistro VG
Ceremony: Cathedral of Christ the King
Reception: Country Club of the South
Coordination: Janice Blackmon, Watermark Weddings
Entertainment: Diane McIntosh
Cake: Gabriel’s Desserts
Videography: Jonathan Nye, Evolution Video Productions

*** CLICK HERE *** to view the slideshow

“Dear Jason, I am so excited to spend our lives together…”

That is how Vicky’s note to Jason begins. And this is how their married life begins:

One of the things that I sometimes find intriguing is the timing of the day. Since all of us capturing images on your wedding day (whether it’s two or three or four of us) all synchronize the times on our cameras I always take the images from all the cameras and edit the images chronologically. The part that I find really amazing is to see what the bride and groom are doing at the same moment. Sometimes you find the bride reading a note from the groom and vice versa at the exact same time. Here’s Vicky and Jason both getting ready to walk out the door and looking in the mirror.

The stunning bride…

Ahhh, the waiting…

Bride on the run image #1. Leaving the church in a stylish Rolls Royce.

This is one of my favorite moments of the day. Don’t think I’m weird. After Mass, the wedding party was invited over to Vicky’s parents’ beautiful home in Country Club of the South. As we were getting ready to depart for the reception, Vicky and Jason stepped into her father’s basement office and took a few moments to practice their dance one last time. Just Vicky, Jason and dad who snapped a few frames with his camera too.

Bride on the run image #2. Going to the reception.

The first dance…

This is where it gets amazing! Vicky’s mother, had alerted me in the weeks leading up to the wedding that if the weather held up then Vicky and Jason and all the guests were going to be surprised with an evening fireworks show. And surprised they were! This show was as good as the Stone Mountain show — just to give you an idea of the scale.

A very special thanks go out to Brian Steele for his trusty assisting/shooting and to Chris Torres of 6 of Four Creations for coming out and getting some amazing shots.

Congratulations Vicky and Jason!

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Lauren & Matt

February 3, 2008

I’ve been friends with this family for a number of years so when Lauren & Matt decided to tie the knot I was delighted they asked me to cover their wedding. It was fun for a number of reasons. Lauren’s parents actually work at Catholic Church of St Andrews so the rules the church places couples under was, shall we say, not an issue. It’s nice when the father and mother of the bride have keys to everywhere you need to go. Second, the Pastor of St Andrew’s used to be our old pastor so we had a great time catching up and talking about camera gear, etc.. I knew more than half of the people in attendance which is always cool, and finally Katie and Chris were on hand to help me out before we caught a plane to Tampa later that evening. Enough of me…

Lauren was radiant and stunning on her day!

I thought I’d present Matt as the stoic here on the blog. He’s a really cool guy and handled everything with ease…

Ahhh Bernie. Can you tell Lauren’s father was a little tensed up as they were getting ready to take that long walk down the isle? I think Lauren had to relax him a little :)

But he did just fine!

Here’s Msgr. Marren, our old pastor giving the couple a little advice. The whole party loved Msgr. Marren and I overheard one of the bridesmaids telling Lauren how cool he was.

So I was wondering if Bernie was going to make it through the Ave Maria but being the pro that he is, he did just fabulously.

Lauren and Matt caught a brief moment after the ceremony to say hi before the bridal party rushed in and the congratulations started…

This young man was actually in the party for wedding I did back in 2006. It’s obvious he has the stuff it takes to begin a career in photography!

Congratulations to Matt and Lauren!

Ben Vigil

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Two Turtledoves (before and after)

December 26, 2007

What a lot of people don’t realize is that pressing the shutter is only the first step in the process that makes the image. Many photographers have developed a signature style that incorporates not just the subjects and the moment they captured but also the “way” they process their images in Photoshop: the color pallets they prefer, the effects they employ, the textures they apply to the background, etc.. Indeed, the reality and the final image are often quite far apart. On the other side of the spectrum, even those photographers who get paid hefty sums for their “candid and stirring photojournalistic style” often labor over the post-processing of an image. The difference between the former and the latter is simply a matter of style and sometimes degree.

People sometimes seem to think that we press the shutter and out comes a piece of art. This thought process usually precedes some question about how we can justify charging $xxx for a 4×6 photo or why albums cost so much. Setting aside the artistic element (which in the end is reason enough to charge whatever your work as an artist is valued at), the simple fact of the matter is that the amount of work involved in producing a 4×6 is the same as a 30×40 canvas gallery wrap.

Here’s an example to show you what I’m talking about. This first image is basically straight out of the camera. Natalie and Ben specifically requested this picture and I obliged. As I was getting ready to take this shot I’m thinking no less than 5 things to myself: I want the big branch at the top of the frame so you feel like the couple is wrapped in the environment; I want you to see the church towering upward; I need to underexpose (darken) the shot so I preserve the details of her dress and the trees against the very bright sky; all that splotchy sunlight on the ground is NOT going to make this easy; and last, that I’m going to have to Photoshop-out the wires later. You hire me to shoot your wedding precisely because I’m thinking those 5 things (or any one of a hundred other things) when I pull the camera to my eye.

Here’s the shot. Not that great, huh? I wouldn’t even deliver that as a proof to a client.

But we’re not done. First, the image passes through Lightroom to give me the basic color, exposure and dynamic range I want. That gives me an image that I deliver to the client as a proof if you get the hi-res images on DVD with your package. But when you buy an image from us online or if this image when into your album it gets all the TLC it needs before it goes out the door.

This is what happens in Photoshop to make the image below: it gets recropped to remove the tilt, an edge vignette is added to draw the eye in, there’s a little “midnight sepia” in the foliage, a little cross-process to Natalie and Ben to make them pop, and finally, the electrical wires were removed as well as the stop sign and street signs in the bottom-left of the frame.

Which would you rather put in your album?

Ben

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