But let me back up a little bit. When I think of the beautiful, historic Swan House, this is what I see in my head:

I think of the rich history and all the stories this building could tell if it could talk.

Remember what I said above about photo shoots? The image above and the next two didn’t even make the first round of cuts. Yet, fast forward a couple months and there it sits… a big, beautiful two-page spread to open up the fashion feature. This is quite easily my favorite image from the entire shoot.

And now I’m going show you something to make your jaw drop. I say that in complete humility because it really has nothing to do with me, but everything to do with our stunning model Madison Olson and the fabulous makeup by Raney O’Keefe. This image is basically straight out of the camera. No photoshop actions. No retouching. No fixing. No nothing.

I took the image out of the camera in RAW format, adjusted my color and exposure in Lightroom, and exported it. In fact, I didn’t retouch Madison in a single image in the entire magazine feature. Just amazing.

Remember what I said above about photo shoots? We had a little bit of free time (by “free time” I mean that we had 7 minutes and 35 seconds) and I said “Madison, let’s play.” So I grabbed Heather Vreeland’s new 50mm f/1.4 lens because I was really curious how the lens would perform and I wanted to play with it. In fact, a number of the images in the magazine were shot with that little 50mm lens she carries around with her in the camera bag she got from Target. So Madison and I ran around in the grass and came up with Heather’s favorite series of images from the shoot. This is just two of them…

Have you been paying attention to the beautiful floral headpieces Danny created for us?

Yes, she is IN the fountain. By this time, it was pretty much dark and we had to get creative with the lighting sources.

Here’s Danny with one of the props he brought along for the shoot — ya know, just in case — and Raney doing a little touch up work.

One more behind the scene’s shot, complete with my assistant hard at work in the background. He was probably tweeting about how hard I was working him.

I’ll be posting a bunch of images from the shoot in a few days, but for now take a look at the images Heather Vreeland chose for the magazine:

While you’re at it, check out the Catering spread starting on page 26 and Hayden’s birthday party photos they featured on page 130. Oh… and check out our back cover advertisement for Ben Vigil Photographers featuring Erika & Leroy atop the one an only Ventana’s rooftop venue styled/coordinated by Eliana from ellyB Events…

How cool is that!!!

My good friend and amazing commercial and wedding photographer David Christensen happened to be busy and was kind enough to refer Grace Manor to me. Grace Manor is a beautiful new property managed by Lease Luxury Properties and they were looking for some imagery to kick off their media campaign.

So this is what you get when you combine a beautiful setting, a dress from the incomparable Anne Barge, gorgeous light and a stunning model…

This is the image they are using for the ad in The Atlantan Brides magazine. You can view the ad on page 21 of the online digital edition.

I included this last one because she has such a bubbly personality and fantastic smile that I wanted you to see it.

Big. Mistake.

Being a HUGE fan of Anne Barge, I thought it was a great idea and Heather got more than she bargained for. I enlisted the help of my friend and future groom, Will Darragh, to handle styling Heather’s hair. Will is a top stylist at Van Michael Salon in Virginia Highlands. He also happens to be engaged to the co-owner of Blanqi, which was the subject of my last post. It’s sorely understating it to say that Will is good at what he does. In the words of Katie Torres: “Ahh, best hair cut of my life….”

Also, a big thanks to Steve Bales and his staff at Bold American Catering who took care of us while we shot at the beautiful Studio 887.

Heather, being the happy-smiley-people-person-plus-sunshine, she likes the last one the best. Or maybe the first one. It’s just that this is one of the few times you’ll ever see her not smiling in front the camera (or otherwise). I was going for that classic Anne Barge “look” in the first couple images.

Which one do you like the best?

It was fun playing with the visual effect of a curved AND slanted wall.

One of my commercial clients just put up their teaser site using some of the imagery that I shot earlier this year. They aren’t giving away much on the site, so I’m not going to say anything else except that I can’t wait to show you more! Here’s a screen grab from their web site. Go check it out!